Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.  Related Paintings of Bartolome Esteban Murillo :. | Jesus bearing a cross | Birth of the Virgin | San Francisco | Deora Division | The Immaculate one of Aranjuez |
Related Artists:
Henri Royer
painted Ex-voto in 1898
Pekka Halonen
Pekka Halonen (23 September 1865 - 1 December 1933) was a painter of Finnish landscapes and people. He was born in Lapinlahti. He lived with his family in a home and studio on Lake Tuusula in Järvenpää, Finland that he, himself, designed and named Halosenniemi. The beautiful and serene building is now a museum that includes original furnishings and Halonenes own art on the walls. There, on the shores of Lake Tuusula where Pekka Halonen resided, an artistse community developed and flourished, helping to develop a sense of Finnish national identity. Halosenniemi was designed with the two story studios of Paris in mind with high ceilings and tall windows in the studio and second floor living quarters accessible by a set of stairs and a balcony that overlooked the studio. Adjacent to the house, Halonen built a sauna and, in typical Finnish tradition, the sauna also served as a laundry. Halonen stated that he never painted for anyone but himself. He felt that eArt should not jar the nerves like sandpaper - it should produce a feeling of peace.e His father was a peasant from Lapinlahti. Halonen studied at the Art Society's drawing school in Helsinki. In 1890 he moved to Paris where he studied at the Academie Julian and later under Paul Gauguin. He died in Tuusula. There is a painting by Pekka Halonen in the post-impressionist section of the Museum of Fine Arts in Budapest, Hungary. Until May 2013 in the Groninger Museum, the Netherlands: Pekka Halonen, Eero Järnefeldt, Helene Schjerfbeck and Akseli Gallen Kallela in the exhibition 'Nordic Art: The Modern Breakthrough'.
henry wadsworth longfellow
1807-C82, American poet, b. Portland, Maine, grad. Bowdoin College, 1825. He wrote some of the most popular poems in American literature, in which he created a new body of romantic American legends. Descended from an established New England family, after college he spent the next three years in Europe, preparing himself for a professorship of modern languages at Bowdoin, where he taught from 1829 to 1835. After the death of his young wife in 1835, Longfellow traveled again to Europe, where he met Frances Appleton, who was to become his second wife after a long courtship. She was the model for the heroine of his prose romance, Hyperion (1839). From 1836 to 1854, Longfellow was professor of modern languages at Harvard, and during these years he became one of an intellectual triumvirate that included Oliver Wendell Holmes and James Russell Lowell. Although a sympathetic and ethical person, Longfellow was uninvolved in the compelling religious and social issues of his time; he did, however, display interest in the abolitionist cause.